GAL VS VILLAGE
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STORY
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On 23rd month, Year 2XXX of the Unified Calendar, signs of otherworldly transformation were confirmed in Haiseta Village.
A claim of responsibility was confirmed from the Kurobachi family — the village guardians — and from villagers themselves.
The only message sent was a single line: “Know us.”
Togawa-no-Fuchi Prefectural authorities announced an immediate response.
Transcendent Entity Management Bureau — Special Unit No. 444:
Kessenji “Blood-sucker” Yui is to be dispatched at once to contain the situation.
memo
The villagers who have already become monstrous cannot be saved, nor can this village, which has become an otherworld.
Even though our homeland contains countless otherworlds, the manifestation of even a single one upsets the nationwide balance of deities and gods, and people’s lives — their everyday existence — will be invaded.
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What's this?
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GAL VS VILLAGE is an old-school FPS where you storm Haiseta Village — now wrapped in strange phenomena — armed with kitchen knives and firearms.
You play as Kessenji “Blood-sucker” Yui, infiltrate the village, and must neutralize the villagers who have turned into horrors and the people of the Kurobachi family who are plotting something, bringing the crisis to an end.
Monstrous villagers, ancient kamis that manifest, and various shikigami invoked by rituals —
you will face a wide range of hostile entities.
But you are the strongest gal.
You cannot lose.
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FUTURE
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Kessenji “Blood-sucker” Yui has undergone special ritual consecration over her entire body, and her form has adapted to the otherworld — she is the secret weapon of the special unit.
Therefore, you can move at high speed with the SHIFT key, hold left-click to fire firearms one-handed, and use right-click to swing a meat cleaver.
For players unfamiliar with FPS games, this title includes a “You Won’t Get Lost (Probably)” guide feature and an ultra-forgiving lowest difficulty where you almost never die.
Rest easy!
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SONGS!!!
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The previous work, “CULT VS GAL” featured the industry’s first multi-ending system, and of course this title also allows you to choose multiple endings.
For the ending songs — which are quite decadent and mature — I commissioned arrangement, recording, and mixing from Takayuki Katō (active as “kikato” in the band “Iroiro na Juujika”). Composition and lyrics are by the author.
The title track will of course play as well.
It’s called “Konjo Eternal.” Lyrics and composition by the author.
